Anna Shchur

CEO & Executive Producer, Siesta Entertainment

Turning distinctive stories into global entertainment brands.

I work across animation production, international distribution and transmedia strategy—helping children’s and family IP find the right audiences, partners and opportunities for growth.

Explore my work

About

Executive leadership from first idea to global audience

With more than 15 years of experience across gaming, animation and digital media, I bring creative and commercial thinking together.

My work spans executive production, international distribution, IP strategy, partnerships and cross-platform brand development. The objective is straightforward: build strong stories, position them intelligently and create lasting value without losing what made them special.

More about me →
Anna Shchur on the beach in Barcelona

How I work

IP and brand strategy

Defining the audience, positioning and long-term potential of original and established entertainment properties.

Executive production

Bringing creative teams, production partners, financing and commercial priorities into alignment.

International distribution

Building relationships with broadcasters, platforms and partners to help content travel across territories.

Transmedia growth

Extending stories thoughtfully across digital platforms, publishing, audio, games, social media and consumer products.

Siesta Entertainment

Leading Siesta Entertainment

Anna Shchur, CEO of Siesta Entertainment

As CEO of Siesta Entertainment, I lead the development, production and international growth of animation brands for preschool, children and teen audiences.

Our slate and partnerships include Black Moth, Biggie and the Magic Bag and Fire Spike. We work with creators, producers, broadcasters and platforms across markets—building each property around a strong creative foundation and a clear path to its audience.

Visit Siesta Entertainment

Press & Insights

Ideas from behind the stories

Read Press & Insights

Perspectives on animation, international distribution, transmedia strategy and the practical work of building IP. Occasionally, I also write about leadership, personal growth and the people behind the projects.

Good IP needs more than visibility. It needs a clear point of view, disciplined execution and partners who understand where it can go.

My role is to bring those pieces together—and give talented people the space to do their best work.